LADY AND THE TRAMP: Blu-ray (Disney 1955) Walt Disney Home Video
Lady and the Tramp (1955) remains one of Walt
Disney's most exuberant and innocently joyous animated features. On the heels
of Snow White and the Seven Dwarfs,
Walt asked his story editor and idea man Joe Grant to come up with an original
concept for the studio’s next feature-length cartoon. Even then, Walt was
perhaps cognizant that animation could be so much more than simply a way of
bringing time honored fairytales to life. Yet, to Grant’s ever-lasting dismay,
he was initially stumped by this assignment until Walt visited his home one
evening, only to be mildly accosted by Joe’s Springer Spaniel – Lady. Enchanted
by the animal, Walt suggested that Joe develop a story about his own dog, and
so the project began.
However, after
viewing preliminary sketches and story boards for Grant’s proposed film Walt's verve
for the project cooled. With Fantasia
already in his creative hopper, Walt effectively cancelled Grant’s project
until 1948, after the two had a falling out over Alice in Wonderland. Grant departed the studio, leaving Walt to his
own accord with both Alice and the,
as yet unnamed, project involving Lady. Not long afterward a rather gregarious
dog story written by Ward Greene for Cosmopolitan Magazine was brought to
Walt's attention. At Walt's behest Greene agreed to work on a totally original
novel that heavily 'borrowed' from Grant’s original concept. The resulting book
‘Lady
and the Tramp’ (with Walt choosing the name for the male himself),
became a publishing phenomenon amongst children. It was finally time to turn
the book into an animated feature.
In many ways,
the filmic Lady and the Tramp is an
eclectic blend of adult situations grafted onto Walt’s own idyllic remembrances
of small town America circa 1900. Lady (voiced by Barbara Luddy) is a Cocker
Spaniel given as a Christmas gift to Darling (Peggy Lee) from Jim Dear (Lee
Millar). For a while, all is calm and bright in the household. However, with
the arrival of a human baby, Lady is cast aside – leading to doubts about her
importance within the family unit. At this point, Greene's book introduces the
character of Tramp (Larry Roberts); a no account mongrel from the wrong side of
the tracks, who courts Lady under the watchful eye of her two loyal friends,
Jock (Bill Thompson) and Trusty (Bill Baucom). Tramp introduces Lady to all
sorts of wild-eye adventures and romance; the film’s spaghetti eating sequence
at Tony’s Restaurant being the memorable highlight.
Returning
home, Lady discovers that her domicile has been invaded by Darling’s nattering,
though well intentioned Aunt Sarah (Verna Felton) and her two mischievous cats,
Si and Am (both brilliantly vocalized by Peggy Lee). Removed from the home
after conflict with these devious kitties, Lady is muzzled and tied out back.
Tramp frees her from her restraints but the escape is short lived when Lady is
captured by a dog catcher and taken to the pound – resulting in the film’s
second most fondly remembered sequence. Lady is introduced to Peg' (again,
voiced by Peggy Lee); a sultry stray who informs her of Tramp's slightly
naughty past. Lady is eventually freed from the pound and taken home. Only now
she is confined to her doghouse in the backyard. When she spies a rat
attempting to enter the nursery - and thereby hurt the baby - Lady barks for
Tramp who kills the rat and saves the child. Unfortunately, Aunt Sarah believes
it was Tramp who was out to hurt the child. She calls the pound and Tramp is
captured and taken away.
Rusty and Jock
rescue Tramp from the pound's paddy wagon while Lady rushes to the nursery to
expose the dead rat's remains caught behind a dresser, thereby establishing
Tramp's innocence. Our story concludes with Tramp celebrating Christmas as
Lady's husband, surrounded by a quartet of puppies. Originally, Rusty was to have
perished under the paddy wagon wheels during the attempted rescue of Tramp from
the pound - a sobering moment indeed, but one that Walt understandably
recognized would be too intense for his younger viewers. In the final cut,
Rusty and Jock come to visit Lady and Tramp at home, with Rusty showing off his
bandaged leg to the puppies.
Peggy Lee and
Sunny Burke collaborated on the film's brilliant songs – few, but memorable
with Lee’s ‘He’s a Tramp’ and ‘Belle Notte’ being the standouts. Resident
Disney composer, Oliver Wallace made the most of his orchestral score,
perfectly complimenting Lee/Burke’s contributions. The first animated movie to
be shot in Cinemascope, necessitated a complete rethinking of all layouts and
backgrounds. In the end, Claude Coats’ beautifully designed compositions took
advantage of the entire girth of each expansive frame. Indeed, as widescreen
movies were still relatively new, with many theaters slow to equip themselves
in the new technology, Walt’s brother Roy encouraged the release of two
versions of Lady and the Tramp – one
in Cinemascope, the other in the conventional aspect ratio of 1:33:1. In the
final analysis, it didn't matter. The Cinemascope version was preferred and
seen by most audiences.
Viewed today,
one continues to admire the meticulous layout and design craftsmanship to the
piece, so beautifully composed that it simply fills the widescreen aperture
with an abundance of interesting detail that never seems superfluous, cluttered
or confining. While the fairytale would remain the Disney Studios bread and
butter for the many years to come, Lady
and the Tramp pointed animation in another direction with increased
regularity. It is safe to say that if
Lady and the Tramp had not been a success there would have been no '101 Dalmatians or 'Aristocats' or even Oliver
& Company further down the line.
Disney's
Blu-ray is, in a word, sumptuous. Meticulous restoration has yielded a flawless
image. The visuals are so crisp that we can actually see artist's brush strokes
in deep background information. Textures applied by hand, ink and paint now
leap from the screen with superior clarity. Colors are richly saturated. Truly,
there's absolutely nothing to complain about here. This is a reference quality
disc and one to surely bring years of enjoyment to both the young and young at
heart. The audio has been given an upgrade to DTS 7.1. For purists, Disney has
also restored the original 3 channel stereo mix. Personally, I thought that the
new 7.1 did a much better job of conveying spatial separation between channels
(as, no kidding, it should) but without altering the experience so as to make
me aware that this wasn't the way the film was originally intended to sound in
1955.
Disney has
also added a few choice extras - exclusive to Blu-ray - to compliment the
wealth of backlog extra features included from their original 2 disc DVD. The
new features include a picture in picture audio commentary that is not to be
missed. Diane Disney Miller offers a glowing tribute to her father. There's
also something called Puppy-pedia that gives us factoid information on the canine
stars of the film and dogs in general, plus never before seen deleted scenes
and a deleted song. We also get the lengthy set of extras from the 2 disc DVD,
the best of the lot being the monumental 'Lady's Pedigree: The Making of Lady and the
Tramp' - a comprehensive documentary feature. Bottom line: I've always
loved Lady and the Tramp. But I
found myself falling in love with the film all over again - as if for the very
first time. On a lovely belle notte or any other time of the year, Lady and the
Tramp on Blu-ray is a winner. Kudos to the Walt Disney Company for all their
fine efforts once again.
FILM RATING (out of 5 - 5 being the best)
5
VIDEO/AUDIO
5+
EXTRAS
5
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